Saturday, August 4, 2012

Summer Under the Stars Blogathon: Niagara (1953) Film Review


In terms of Summer Under the Stars Blogathon and as a tribute to the immortal Marilyn Monroe, who left this world fifty years ago, I have a look at one of the actress' classics, a film-noir, entitled Niagara.
Genres: film-noir, thriller
Director: Henry Hathaway
Writers: Charles Brackett & Walter Reisch and Richard L. Breen
Stars: Marilyn Monroe, Joseph Cotten, Jean Peters, Max Showalter
IMDb says: As two couples are visiting Niagara Falls, tensions between one wife and her husband reach the level of murder.

"Why should the Falls drag me down here at 5 o'clock in the morning? To show me how big they are and how small I am?" (George Loomis)

Although this film-noir is shot in color, the very beginning of it trumpets solemnly that something sinister is about to happen. Being not the best example of the genre, Niagara still manages to capture the eye and the mind with its appealing visions of the Falls and the film icon and a chilling story that the film dwells on.

I suppose we could call Niagara a rather basic and predictable thriller, but there's something special about it, maybe, because Marilyn Monroe in her voluptuous beauty graces the screen and rivets every gaze on the every single movement she makes and every single shadow that darkens her face. Even though the movie legend's looks is used like in the majority of her films, the part that she tackled appears to be exceptionally fascinating one, since, without spoiling it, remaining the same character, she switches between different roles of the persona she is portraying; Rose Loomis is both likeable and unlikeable person, she's both a predator and a victim. The character requires a lot of work and depths to be ivensted into it and Marilyn Monroe definitely understands Rose. However, she is not always able to render what she made of the character through her acting. I would like to set it straight: I don't think that Monroe was a great actress. Nevertheless, her charisma and warmth of her personality made her shine onscreen, that's why when she couldn't deliver as a quite talented actress, she delivered as an extremely talented individual.
Joseph Cotten as a husband, driven insane by jealousy, is a decent pairing for Monroe, but another fantastic figure in this tale is Jean Peter's Polly, a woman who found herself in the middle of the tragedy that shouldn't have been a part of her life. Beauty wise outshined by Marilyn, Peters still handled the task and gave a solid performance and I would rather consider Polly the leading character than any other one, since she is an accidental onlooker who puts the puzzle together and happens to follow unwillingly the headlong streams of the falls of another family's problem.

Niagara is an interesting sample of the classic cinema that gives Marilyn Monroe a chance to eclipse yet again everything around her, while the rest of the cast back up her efforts with their dedicated performances.

Rating:
3 ½ stars









What do you think of Niagara? What do you think of Marilyn Monroe in this film?

12 comments:

  1. I just saw Niagara again this morning for the first time in years and was struck by Marilyn's voice. As Rose, it was deeper and tougher than it is in other roles. "Sure. I'm meeting somebody, just anybody handy, as long as he's a man!" And you're right, she does eclipse everyone/everything around her. Esp. poor Jean Peters! She's so sweet, smart and sane -- qualities Rose Loomis makes seem drab.

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    1. Thanks for stopping by! Totally agree on Monroe's voice, and that scene with the line you mentioned is very memorable.

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  2. I love Niagara. And she is STUNNING in that fuchsia dress!

    Thanks for a great piece for the blogathon!

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    1. She's always stunning, but that dress makes her even more gorgeous, agreed!

      Thanks for hosting the blogathon.

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  3. I loved Niagara, I can remember thinking how gorgeous I thought Marilyn was. Somehow my memory of the film is in black and white, but it just occurred to me why. I'm remembering watching it on a black and white television back in the day before we owned a colour version!
    She was still gorgeous and the film was scary in places, I remember a feeling of dread when they were on the boat beneath the falls...masterly a film with staying power! Must be eh...if I can still remember it? ;))))))

    Hugs Lesya,
    Jane

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    1. Interestingly, from what I heard, the trailer was in black and white; just a little piece of trivia. So great to hear from you, thanks!

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  4. I'm not a Marilyn fan, but I really like Joseph Cotten, so this movie was appealing to me. It's nearly hitchcockian, since there is the couple involved in a story by accident. Being in color made it very special (and I really think the color was required to help Marilyn) and yet very powerful.
    Greetings!

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    1. Oh, I wonder how it'd turn out, if Hitchcock made it. Would be even more tense probably. Besides, Marilyn was a blonde, so he would have been happy to cast her in the role.

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  5. You've gone completely Classic on me Lesya over the past few weeks and unfortunately I haven't seen that many classic films except for maybe Hitchcock, so I shall reserve most of my comments till I see them :-)

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    1. Personally, I love Classic films, simply love them, so I strongly recommend you catching up on ones that you want to see but have been postponing.

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  6. I’m putting together a new blogathon. It’s called “Winning Streak” and the idea is that you write about what you consider to be the most impressive unbroken run of great movies from a chosen film-maker. So for example mine would be Robert Altman’s run from Brewster McCloud (1970) to Nashville (1975) where in my opinion he made seven fantastic movies.
    Let me know if you fancy taking part.

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    1. Thanks for letting me know. Have been very busy recently, so can't promise anything.

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